Contents

1. Asher McMahan, “The Wounds of Jesus Christ: Chromatic Symbolism in Marguerite’s Mirror

Comparative Literature 470: Medieval Women Writers (Prof. Jessica Barr)

2. Mato, “The Tragic Cheapening of Palestinian Lives in “Letter from Gaza”

Comparative Literature 141: Good and Evil (Instructor: Abby Klug)

3. Grace Holland, “Harsh Realities of Familiar Places: Exploring Nostalgia and Regret in Murakami and Atwood”

Comparative Literature 121: International Short Story (Instructor: Prof. Kathryn Lachman)

4. Isabella Livoti, “Wild Reclamation: Nature’s Fatal Revolution in Atwood and Saki”

Comparative Literature 121: International Short Story (Prof. Kathryn Lachman)

5. Andrea Tchesnovsky, “Trauma and “Sapiosex” in Sally Rooney’s Normal People

Comparative Literature 357: Writing Matters (Instructor: Prof. Kathryn Lachman)

6. Javor Stein, “Hysteria and Sinthome in Anne Garréta’s Sphinx: A Queer Lacanian Reading”

Comparative Literature 357: Writing Matters (Instructor: Prof. Kathryn Lachman)

7. Hannah O’Brien, “The Power of Unspoken Emotion”

Comparative Literature 121: International Short Story (Instructor: Gennifer Dorgan)

8. Dex Veitch, “The Horror and Humanity of Sex: How Thirst and Titane Perform Intimacy”

Comparative Literature 100: International Horror (Instructor: Nefeli Forni Zervoudaki)

9. John Alessandro, “Our Cafe: An Adaptation of Before the Coffee Gets Cold by Toshikazu Kawaguchi”

Comparative Literature 141: Good and Evil (Instructor: Toni McElrath)

Cover Photography: José do Ó, PhD Student in Comparative Literature

License

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Writing the World 2023-24 by Asher McMahan, Mato, Grace Holland, Isabella Livoti, Andrea Tchesnovsky, Javor Stein, Hannah O'Brien, Dex Veitch, and John Alessandro is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License, except where otherwise noted.

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