I. Critical and Analytical Writing

1. Sultana’s Dream” and “Founding the Feminist Utopia” as a Unified Approach to Achieving Gender Equality

Tristan Grieve, Comparative Literature 131: Brave New World (Instructor: Manuel Antonio Paradela Maceiras)

2. Black and White in 1920s America and 2020s France

Bianca Colón, Comp Lit 391: The Unexceptional US: Global Readings in US Culture (Instructor: Jim Hicks)

3. The Cavern, the Room, and the American Dream: Queer Temporality in Giovanni’s Room

Mac Godinez, Comp Lit 121: International Short Story (Instructor: Michael Kowalchuk)

4. Embracing the Inexplicable

Aidan Kelly, Comp Lit 100: International Horror (Instructor: Nefeli Forni)

5. The Battle Between the Id and the Superego

Emerson Kiefer, Comp Lit 121: International Short Story (Instructor: Gennifer Dorgan)

6. A Storm of One’s Own: Radical Ecofeminism, “The Storm,” and “The Story of an Hour”

Pargol Borojerdi, Comp Lit 121: International Short Story (Instructor: Juan Carlos Cabrera Pons)

7. Theme in Stanislaw Lem’s Solaris and Andrei Tarkovksy’s Film Adaptation

Chantal Kellerd, Comp Lit 133: Introduction to Science Fiction (Instructor: Michael Kowalchuk)

8. What Do Phantom Phone Calls Have in Common With Cosmic Horror?

Alexandra Scarlatos, Comp Lit 100: International Horror (Instructor: Nefeli Forni)

9. Beyond the Biological Abject: A Complete Erasure of the Self

Saachi Khandpur, Comp Lit 100: International Horror (Instructor: Nefeli Forni)

10. The Unreliable Narrator Vexes the Pursuit of Truth

Kiefer Callewaert, Comp Lit 121: International Short Story (Instructor: Juan Carlos Cabrera Pons)

II. Creative Writing

11. Dopesick

Dylan Waters, Comp Lit 121: International Short Story (Instructor: Gennifer Dorgan)